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| Cannes Film Review: 'Oh Mercy' It takes more than just watching "Oh Mercy" to understand exactly why Arnaud Desplechin was drawn to the subject matter of his latest movie, a reasonably engrossing police procedural with roots in a 2008 TV documentary. Something of an unexpected ... | |
| Cannes Film Review: 'Matthias & Maxime' If there's one term that Xavier Dolan probably never wants or needs to hear again, it's "enfant terrible." Irresistible to use when the Québécois auteur was 19, rattling out of the gate with his antsy, angry lash-out of a debut, "I Killed My Mother," it's followed him ... | |
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| Review: 'Booksmart' Crashes the Party and Aces the Test Sometimes your bedrock assumptions about the world and your place in it suddenly collapse, a kind of existential earthquake that makes you rethink everything. For Molly, a Los Angeles teenager, that happens on the last day of senior year, in the school ... | |
| A Movie like Guy Ritchie's Aladdin Isn't Shot — It's Generated All hail the Disney Company, world-dominating kingdom of kitsch. When executives decided to wring even more revenue from their animated musicals by transforming them into live-action features (after stopovers on Broadway), it was with the knowledge that ... | |
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| HBO boss defends Game of Thrones final season: 'A great job' HBO's programming chief defended the final season of Game of Thrones against disappointed critics and fans, while shooting down spin-off ideas. Speaking to Variety, Casey Bloys praised showrunners David Benioff and Dan Weiss and the six-episode ... | |
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| 'Vida': Tanya Saracho on Colorism and the 'Authenticity Police' Starz's splashy half-hour drama "Vida" begins with two Mexican-American sisters, Lyn (Melissa Barrera) and Emma (Mishel Prada) Hernandez, returning home to a gentrifying Eastside Los Angeles after the death of their mother. While dealing with their loss ... | |
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